Showing posts with label Sweeney. Show all posts
Showing posts with label Sweeney. Show all posts

Sunday, April 23, 2017

Sweeney Dreams He's Having a Nightmare of Clearing


In his dream Sweeney sees himself de-feathered and crashed in the grey sand,
unable to pull himself out of sleep, locked into a nightmare of a bulldozer
running across the land like an electric razor, the entire bush falling
to its gigantic all-encompassing blade. Nothing stops it, not even
the largest jarrah and marri trees, nothing just nothing will thwart
its progress, not even boulders setting their shoulders against
the onslaught. Sweeney in his dream tries to stop the nightmare
in its tracks, and calls on those who have become his friends to help him:
Forgive me for my mis-sayings for my well-meant efforts that have failed.
Forgive me for not spreading my wings wide enough to protect you all.
And with that he rises from the sand and squawks so loud the driver
halts his deadly machine, and leaps down and jabs his finger
into Sweeney’s charred breast, like an image out of a painting
yet to be painted, and says, Now listen, buster, this is how I make
my living, and who are you to take food from my table?! And Sweeney,
feeling the sway of his argument and feeling himself fall back
into the nightmare, sees his own beak moving, hears his own words
tumble past the nub of his tongue in more than mimicry of a human voice:
But when it’s all gone, you’ll have no more work anyway and the world
will be dying. And the bulldozer driver replies, You may be right,
but what would you have me do? — this is my job, and I know no other.
And with this Sweeney wakes, from both dream and nightmare and sweating
and feeling for his feathers to find them black and red and white and intact,
and says: I will fly high and watch over them all, I will fly from grey sand
over gravel and ochre loam and granite and brown clay. And in doing so
he flies past Walwalinj which the colonisers call Mount Bakewell,
and watches the fires the farmers have lit to eat their stubble and chaff
from the last harvest running over their firebreaks into the shreds of bush
remaining from past clearings and past burnings-off, and he watches a digger
knocking down four magnificent York gums —  ancient solar systems
of life — to make a paddock even more vacant, more productive
in the short term, but dead to the future, and he cries and cries
but his tears put out neither the fires nor the work zeal of the clearer
doing a job as night falls, and the kangaroo’s head is renamed
the Southern Cross and the ends of the earth play
on the stereos of machinery and cars and houses
and personal devices. Sweeney
in his dream of a nightmare.


            John Kinsella

Monday, March 13, 2017

Having Given Up the Ghost, Sweeney Flies in With Seedlings to Help Stitch the Wound


A traumatic wound — gashed open to the bone.
But the Emperor and his Jester are up the creek
without a paddle, wading against their own effluent.

A traumatic wound — gashed open to the bone.
The spell feeding on the workers like dermonecrosis
is broken, and they disperse into healthier skin.

A traumatic wound — gashed open to the bone.
Having given up the ghost, Sweeney flies in with
seedlings of native vegetation to help stitch the wound.

A traumatic wound — gashed open to the bone.
In the sand the bushland had grown from, Sweeney
knows country is still alive and consults with the Elders.

A traumatic wound — gashed open to the bone.
It can be healed. Its essence is spilling out like a balm.
The red-tailed cockatoos are thinking of the decades ahead.


            John Kinsella

So let's hope this is the end of the assault on the Beeliar wetlands, and that replanting and healing of the damaged land begins immediately. Of course, for many creatures and much vegetation it is too late. This is a message of thanks and well-wishing to all protesters past and present at the site.

Tuesday, December 13, 2016

Beeliar Wetlands Protest and Enforcing a Police State


This is part of a sequence of poems I've been working on over the last few years. As some of you will have seen in the news, the Western Australian Premier and Minister for Environment (makes me sick writing that absurd title), and other government enforcers, have had the police out in force to ensure the 'progress' of the destruction of the Beeliar bushland. Photos on the ABC website show a few police; today they had a phalanx of hoplites spread out to ward off the protesters so the attack on the bushland could continue. It's that brutal — it is an act of state violence that must be met with committed pacifist resistance. Non-violent action against the violence of state capitalism.


Sweeney Contemplates a Display of Force by the Police State

Distant now, and working out how to make a return, how to embrace
the wetlands and detrack the machines, Sweeney flew low through the rain
of grasshoppers rising up from the denuded plains, late crops shaking
their seed onto the scorched earth. I will return to the coastal plain,

said Sweeney loud to the parrots, loud to the crows, loud to the mulga
snakes, loud to the grasshoppers. I will stand with the protectors against
the troops of the dictator, against the builder of stadia and his wealthy,
uncouth mates. I will stand against their class pretensions, against their

sporting codes which read a little like the bishop leading an army
against the heathen. I am a heathen, Sweeney told the blue sky
stretched to breaking point; I am old as the earth but can’t even perch
on the outstretched branch of a York gum without feeling guilt. But I will fly

down to the marri, to the blackbutt, to the banksia, to the zamias and grass
trees and ask if I might perch temporarily, temporarily to watch over
the souls of those who dwell there, who know the stories, who connect
constellations with earth itself, who can unpick the codes, the fever

of growth, schematics of belonging. Red-tailed black cockatoos
will guide me in, give me strength.  I will ask to join the lines, speaking
my ancient tongue of respect. I will tell the police they must listen
to the ground through their feet, must listen to the whispering

coming out of the bush where there are as many worlds
as night reveals, spreading its sheet, a future unfurled.


            John Kinsella


Saturday, July 23, 2016

Sweeney Encounters a Russian Adventurer in the Avon Valley: a poem by John Kinsella

By John


Sweeney Encounters a Russian Adventurer in the Avon Valley

Sweeney had to do his shopping at Northam Coles.
There was a lot of kerfuffle in the town and more
than a few foreign voices. He was surprised

to find the foreigners were not being attacked
by locals. On his asking why, a teenager stacking shelves
told him, It’s because they’ll only be here for a while.

What was going on? Sweeney took to the airwaves.
Birds of a feather, we might interpolate. Just outside town
he came across a vast balloon being spread out and filled with night.

He swooped down and found a man who looked like
a heavily bearded Dennis Hopper. He caught the name
of this wild man whom he recognised as a holy obsessive.

Almost like me, he said. A Russian. There were many voices
speaking Russian. I know Russian, said Sweeney — I get pictures
wired to my headspace from a poet in his country dacha

every winter, every summer. It’s cold here in winter,
but not as cold as it gets in Russia. That’s the definition of cold
in overheated times. The balloon was filling and the zeal

of the adventurer was palpable. All of this just for him.
His name was Fedor Konyukhov. He was aiming to loop
the earth from sunrise. To smash a record. The media, cloying and clinging,

were saying he sees the world as a place to conquer: mountains,
oceans, everything. Sweeney could see vast swathes of mangroves
dying in the far side of the country but in his gondola Fedor Konyukhov

would fly nowhere near them. Sweeney watched the balloon rise
with the sun, hung around and did a couple of interviews, then flew back
to Coles to finish his shopping. I feel like the stork delivering my own birth,
            he said, adding a few more cans to his stash.



            John Kinsella