Showing posts with label peace poetry. Show all posts
Showing posts with label peace poetry. Show all posts

Sunday, July 27, 2025

Poem in Support of Those Who Refuse Conscription


Conscientious Objection

 

Praise to those who refuse conscription.

Praise to ‘draft dodgers’ and objectors to war.

May the only thing they are ever induced to burn

be their draft cards. Let them stand against

the vast sways of their deluded societies

which crave and justify war as if it’s the answer

to their crisis, crises, situations, conditions.

Praise to the ones who stand against the claims

of ‘no alternative’, ‘responsibility to your country’,

and other epithets of manipulation and destruction.

Praise to the conscience that understands killing

leads to more killing and that military ‘camaraderie’

is the ultimate ganging up, bullying behaviour.

Praise to those who know cowardice is operating

in armies is facilitating starvation and the deaths

of children. To refuse conscription, to refuse to fight,

is not cowardice, and ‘bravery’ is not even a word

with an adequate range or an adequate history

to apply to such resolution, inner strength, morality.

 

 

            John Kinsella

Friday, February 16, 2024

Stop the Carnage - Stop the War - Stop the Attacks on Gaza - Permanent Ceasefire - No More Violence - Leave Rafah in Peace!

 

Rafah

 

A city on the edge of catastrophe.

Designated ‘safe zone’ where,

 

defying the limits of space,

over a million people

 

have been herded.

Choke point. Crossing

 

to nowhere. Edge

of annihilation.

 

Such moments

too many in power

 

across the globe

want to make history

 

before and as they happen.

To relegate. To regret

 

after the fact,

after massacres

 

have been totted up

and converted to statistics.

 

 

            John Kinsella

 

 

Tuesday, January 9, 2024

Anti-war Cento

 Cento Sonnet à la P. VERGILIVS MARO

 

Let me make this final effort to work the fields

without damage, Arethusa, before the media flee from the work,

never claiming the land though ‘she’ favours its people over herself,

and the fretwork of metal trees tunes only erosion.

 

Where there were recently olive groves there are now graves —

the scent of leaves and wood lost in gunpowder, shrapnel.

All prayers are blasted as the hand holds the head, the earth.

Who in Sicily will hear the songs that once sprang from Gaza?

 

It is not our right to interfere in your disputes and yet arms

from across the oceans flow over ravines and waste the land.

All moisture is lost as blood flakes on rubble, windows are gone.

The green of camouflage replaces the trees taken under duress.

 

All the words we write hoping they will shepherd a peace,

while supreme untruths wreck even the joys of night.

 

 

            John Kinsella

 

 

Cento Sonnet à la P. VERGILIVS MARO

 

Extremum hunc, Arethusa, mihi concede laborem:

et quo quemque modo fugiatque feratque laborem,

dum fovet ac ne me sibi praeferat illa veretur,

uestra meos olim si fistula dicat amores!

 

Disce et odoratam stabulis accendere cedrum

ipse caput tonsae foliis ornatus oliuae

ut nuper, frustra pressabimus ubera palmis —

carmina pastoris Siculi modulabor auena.

 

Non nostrum inter vos tantas componere lites:

arentesque sonant ripae collesque supini.

In medium, seu stabit iners seu profluet umor, 

quantum uere nouo uiridis se subicit alnus.

 

carmina qui lusi pastorum audaxque iuventa,

namque ut supremam falsa inter gaudia noctem.

 

 

 

[sources: Virgil Eclogues 10 and 3; Georgics 3 and 4; Aeneid 6 via JK]


Though the lines in the Latin cento don't 'agree' as such, and only 'follow'/'connect' abstractly (grammatically/re syntax/sense), they are in dialogue with each other and create their own contexts through juxtaposition.

 

 

Sunday, October 15, 2023

Poem Pleading for Peace in Israel and Palestine


Elegy

Cinnyris osea, who called you 
when the day died?
Palestinian sunbird, 
bird of aspiration.
Bird annihilated sheen 
of blue-green feather-film
foraging in dry air 
and we hear you under 
these conditions, an intense
yearning for an end 
to all violence between peoples. 
Co-existence
and curve-billed sampling
of flowers which are music,
which are conversations,
which love all people
more or less the same.
Cinnyris osea, who 
called you out of the sun
when the day died?
Palestinian sunbird, call peace
over Israel and Palestine,
out of the stones. Quickly. Please.


John Kinsella


Note: the Palestinian sunbird (beautiful bird) is the national bird of Palestine (the declaration goes: because it flies across borders to link Palestinian territories). It became the national bird in 2015 due to the Israeli authorities trying to remove 'Palestine' from its naming.

Monday, May 2, 2022

Anti-War Poem — Second Ode to Disarmament


Second Ode to Disarmament


Each order each line of command

each siege-besiege counterpoint,

a percussion of shelling and wounding.

 

Till the last body the last round,

the mincemeat slurry of nation and body,

of flesh and ideology, bird memory in a bunker.

 

To be unlived to invest in a living future

relegated when the time comes: the way

we talk in D minor at ease or under pressure.

 

Each order each line of command

each siege-besiege counterpoint,

a percussion of shelling and wounding.

 

War loves its clichés, its brutal

realities. ‘According to some sources’.

Doctors without borders sewing limbs together.

 

Till the last body the last round,

the mincemeat slurry of nation and body,

of flesh and ideology, bird memory in a bunker.

 

Where to gather seed in a resplendent season

of memory, where to look when the season is harsh.

Under the barrage the dawn chorus loses its way.

 

 

            John Kinsella

 

Wednesday, August 30, 2017

Poems Against War: A 'Journal' from Childhood and Teenage Years



War Games


1. Fort — Da!

The two ‘nature-loving’ boys set up fort
by laying branches across the apertures
between old wandoos — a clump
of trees on the middle of the paddock.

We — the ‘war boys’ — didn’t
expect it, trekking across open territory,
heading for the cover of the Top Bush:
the wandoos a safe place to munch

biscuits we’d packed before
leaving the farmhouse. It was
a strategic position because contours
and firebreaks took you right

past it — the paddock a killing
zone, all lines of sight and minefields,
thin green crop only up a month...
walk through there and there’d

be hell to pay. Looks are deceptive.
We’d let down our guard, coming
up to our ‘safe place’, but truth is
it’d long been a contested space:

the others liked to listen to the parrots
cavorting overhead. There’d once been
an echidna working termites in a hollowed
log. Large insects worked shadowy bark.

And so when we fell to the hail
of clods — boondies
mud peppered with gravel,
the upturnings of the plough

where wheat hadn’t set at the edges —
maybe we shouldn’t have been startled.
This was an aggressive environmentalism
we’d guessed might be possible, but

had rejected as being out of all
proportion. Brother to brother,
cousin to cousin, the hail
came from the peace-lovers,

while it was we, in our fatigues,
who yelled louder than the tractor
straining through boggy ground:
Not fair not fair! This is all wrong.

(ii)

A statement I am still
trying to work out
over forty years
later as I pass
another sign
pointing to the remnants
of an ancient Celtic hill fort,
so attractive to the invaders
long after.
                   And on Wheatlands farm,
it was alliances between Celt and Saxon
and Celt on restless, hyperventilating land.
Alliances against the ‘wild Aborigines’
who we knew must come with spears
and vengeance. Why wouldn’t they?

Ambush: Latin to French to English.
I don’t know the Noongar word.

What right do I have to the devices
of language, the codes
of resistance?

What right to remember
what I remember.
The era, childhood,
the legacies,


2.  Scale Models

Airfix. Miniature. To scale.
Bedroom festooned
with armour, bristling
with tanks and anti-tank
guns — terrain & camouflage.

Leopard tanks, Shermans,
Centurions. Catalogue.
Library. Firepower.

Amassing strength.
Deflecting shells.
Blitzkrieg a-political
masculine word choice.

I’d tried everything else
I could think of. I didn’t
believe in destiny
though I feared fate.


3. ‘I don’t want to play wars.’

Said my younger brother
as I flung Cape lilac berries
at his head. Me, kitted
out in constructor’s safety
helmet, home-made ‘rifle’,
backpack and ammo pouches.
I had fought many enemies
and triumphed but there
was no body count
outside my head.
I needed independent
verification of casualties:
at least one ‘severely wounded’
who might be treated: I carried
a genuine first aid kit.
This was the path to being a general.
My father had nothing to do with it,
being ‘Up North’ and having
done his time in Nashos —
‘character-building’,
served with Graham ‘Polly’ Farmer,
missed Korea and Vietnam
as the timeline unwound.


4. Movies

Primed in black & white, Saturday arvo
war movies on wet winter days — quagmire,
trenches, bogged down in Audie Murphy.

So obsessive, I spent the time spotting
inconsistencies in weaponry, uniforms,
ordnance — historical anomalies,
being in possession of the facts,
the truth, as I was.

                                  Don’t argue
with me — do your research, mate.
I saw the colour of the battlefield,
never the colour of the blood.


5. Purnell’s History of the Second World War

Purnell’s every Saturday morning for a year
ordered through the local newsagency.
And more. All going smoothly in the fields
of death, campaigns across the steppes,
Battle of the Coral Sea, Fortress Europe.
Then the Holocaust Issue. Then silence.
No wars for the week. No recreating
battlefields in bedrooms. No self-control
to make general staff material.
And I was too young to read Celan
and find a way through poetry.
I was too old to want to die
in the trenches.


6. War Games

Strategy games. Too old to kill each other in the backyard,
the mind wants more — campaigns, scenarios, turning
the tides of history. The SS Death’s Head Division
a black counter on the hexagon of country, terrain.
Attack strength, defence strength, capacity
for movement even when supplies
are in short supply on the front elsewhere.
Clinical as reading Wilfred Owen at school
and perfectly understanding the poetic effect
of horror. The slips between writing and reading,
taking orders and giving orders. Who said,
‘Different wars...’ or ‘Every war is different...’
No one, I hope, no one. Though I imagine
it’s likely, and I thought it back then.


7. Debate

Reading Clausewitz On War and Guderian’s Achtung! — Panzer
(the allies didn’t charge him after the war and he was valorised

as an acceptable incarnation of the elite soldier... something
for those who love war as a human quality — deep in their souls —

to cling to) and Caesar’s Commentarii de Bello Gallico
and Sun Tzu ur-text The Art of War, I was a full bottle

on why wars are: inevitable, necessary, desirable.
I am — point blank — too humiliated to recount

the details of my argument, and unwilling to hide
behind the smokescreen: ‘I was given that side

of the debate... the rules, the art-form, the discipline...’
qualities I have no belief in now, and probably not then.

And the Head Girl, taking the side for peace,
argued with as much passion against war

as I did for. A professional cool, a studied vehemence
was my guiding light.  And the war-loving boys

who made my life hell — physical and sexual
and psychological abuse — looking on

to see their future commander in action!
I could tell them that Master Sun said...

‘Exploit the enemy’s dispositions
     To attain victory’

But the spies among my own team
sold me out — a pathetic specimen

to lead the assault,
conduct their war.



     John Kinsella


Wednesday, August 9, 2017

Against the Nuclear Weapon Programmes of All Nations

A call for total nuclear disarmament across the world and an end to ALL nuclear weapons programmes. Discuss, don't destroy. Converse, don't attack. Peace, not conflict.

Graphology Kaleidoscope 27: nuclear peace poem


Things I can just see from here not drawn
into descriptions earlier, or rather
descriptions as they are remade
in the reality of now
circuits of a windmill
drawing up through deep hill
of rock, a stand of wandoos
singed during burn-offs
now framed by a green lie of pasture.

From his golf club at Bedminster, New Jersey,
green of a sort, Trump says to North Korea:
‘...they will be met with fire, fury
and frankly power
the likes of which this world
has never seen before’ — a nightmare
of lineation, too close to all hands,
as Kim Jong-un’s juche
tracks its course to the doors
of history, of unresolved
policy. The ‘hermit kingdom’
pondering issues of re-entry.

Such ‘thousands-fold revenge’,
such ‘preventative wars’,
such rearrangement of atoms
and molecules. We are drawn
into the wars of the soul —
final proofs due soon.

Rarely, seabirds make passage
to inland waterways
quickly saline, still fresh in living memory —
we see silver gulls in Northam on the river,
we see them overflying farm dams.

We can’t lose sight of the personal in any of this —
concerning all of us.

Technology of peace at our fingertips —
wild flowers still managing to erupt,
prepare their blooms.

Newest World maps, projections — ICBMs
capable of reaching here and here and here —
wave motion practicum — the case itself —
as they have for decades now,
locked and loaded.

A machinery shed, a figure, a swirl of low cloud.
All drawn in here now, as I see us,
I see the above-ground silos
prepared for grain receival, though
the crops a long way from harvest.
True, I’ve seen this before,
but now I am in this context.

I write to the bureau of meteorology
to point out that rainfall figures
for three rural towns
are missing. How will we
know the yearly averages
if days go missing?
It’s all in the details,
it’s all in the details.
I hear back — a missing day
means no annual figures
will be tendered.
I see the grey skies the swirling leaves and branches,
the run rolling down the slopes of Jam Tree Gully.

In these drought lands
there’s been so much rain
to step out is to invite
instability — the ground
that will be blown away
in summer, will shift
dramatically underfoot,
I am sure. They are sure of winter.

Fire, fury, power, thousands-fold.
Paperwork. Cultural-linguistic
windshear. Our settlements.

Miniaturisation of.
Bomb in a warhead
mounted on top.
Steady & ready.
Trajectory.
Inclination.
Parrots
unable to find
nesting hollows.
I receive lists
of illegal clearing
going on
of overclearing
going on
of clearing
to begin
again.

‘International waters’
the biggest test site.
Skeletons in suspension —
I, too, converse with them.
A detente from interior
to coast. And then out,
where the lifeboat
rocks headstrong
and dangerously
in the swell.
All drawn
into the picture
of now.

The production of tablets
will ease our passing.
Legislation of death
centres, pummel
our sanctity, our refrains.
Disarming as sanctions
deathtag hypocrisies — the nuclear weapons industries
                                           doing very well, thank you!

Things I can just see from here not drawn
into descriptions earlier, or rather
descriptions as they are remade
in the reality of now
circuits of a windmill
drawing up through deep hill
of rock, a stand of wandoos
singed during burn-offs
now framed by a green lie of pasture.


            John Kinsella