Sunday, October 4, 2026

Protesting the 'Land Forces' Arms Expo at the Perth Convention and Exhibition Centre Oct 6 - 8, 2026


To stage such an event is a crime against humanity and a crime against the planet itself. It is inexcusable on any level. 

Boorloo experiences ongoing colonialism and its toxic legacies. Boorloo is being used as a staging post for future violence around the world. Unacceptable! 

Peace is the only way. 

Below is a poem written against this event (it refers to the original planting of memorial oak trees in 'Kings Park' — Kaarta Koomba — after the First World War) and here's a short, rough video I made last week when down in the city from within the 'Bishop's Garden' opposite the Convention Centre.


Reclaim

            against the ‘Land Forces’ arms expo at the Perth Convention Centre 2026

 

Cameras will penetrate the faces

of those who lift their hands

to make peace signs, to object,

 

on this ‘reclaimed’ wetland,

the Perth Convention Centre

making its claim to the world’s

 

war-work. That it would break

humane conventions, would shatter

bodies across the globe,

 

fits with the agency

granted to weapons, those

euphemisms of culture and nature.

 

Under the reflections of mining towers,

fossil fuel empires, the cycle

of making and dissolution

 

will be in the purview

of arms dealers

and their companies.

 

Wreathed by traffic,

the arms expo sales junket

will animate glass,

 

concrete and steel.

The homeless have been

‘moved on’, and told

 

they’ll be ‘catered for’,

special powers legislated

to protect the oh so polite

 

death-zone artistes manqués

going peacefully about

their business, while heat-

 

stressed trees planted

for the war dead

on Kaarta Koomba

 

try to photosynthesise

bewilderment

as long dead oak trees once did

 

when a gunshot marked the first

memorial plantings

over a hundred years ago.

 

And now, expeditionary forces

promoting deft warcraft

highlight the sheen of weapons

 

before they explode,

before they deliver their verdict

on the life-industry of flesh and blood,

 

before they reclaim the world

for the inanimate, feigning

an organic sensibility.

 

 

            John Kinsella

Sunday, August 23, 2026

In Memory

Aboriginal and Torres Strait Islander readers are informed that the following text contains the name of a person who has passed away.

It's almost a year since Charmaine passed, and I want to mark this with a poem that was written at the same time as the sequence I posted for 'CPG' in October last year, after Tracy and I had gone on to Charmaine's birth Country and paid our respects to her spirit and to those of her ancestors. We send Charmaine's family and her people our best and wish to honour her memory, always.


Fringed Lily at Eradu

 

Defies the drift

of clearance

 

and establishes

a zone of intense

 

expression, fringes

vibrating with vocalisations

 

of story and curiosity,

of insect visitation.

 

Afterimages burn

deep to remind us

 

when seasons are forced

to work with the blanked

 

sandplain, to reach

far back into seedbanks,

 

to remember

the flourishing.

 

 

            John Kinsella

 

 

 

Sunday, August 16, 2026

Health and Activism

            John Kinsella


Activism is rarely without stress, but if we believe in the cause we are working for and towards, some of that stress is alleviated by the act of doing. At least I’ve found that to be the case. I don’t mean that one expects that ‘success’ will alleviate stress given most often ‘success’ is either measured in tiny increments, or is constantly beyond reach, but rather that the ability to persist, and believe that improvement of negative conditions might eventually come in some way, instils or restores a degree of equanimity. Activism is, essentially, an act of belief.

 

However, systemic bodily breakdown, or ill health in general, will inevitably result in a compromised ability to maintain activist intensity. Whatever the cause of a health issue, it's certain that stress will make it worse or at least harder to recover from. And, indeed, stress might be at least part of that health problem in the first place. We are stressed by the issue that leads us to act, we are stressed while acting, we are stressed worrying about aftermaths. It is an obvious loop.

 

I mention all this because though it wasn’t the cause of my stroke/s per se, seeing the extent of the damage done by Main Roads, Western Power and contractors to habitat alongside Toodyay Road — clearing and works that now extend for 25 kilometres — certainly increased the stress on my body prior to stroking. I am not suggesting direct cause and effect, but there’s no doubt in my mind that my distress accelerated my vulnerability before any preventative action might have been taken. I have rarely been as upset as I was some months ago (after seeing what was being done to bushland we knew so well, had observed so closely for so long), when things started to go physically very wrong for me. Medically, that’s all subjective, but I also know my own body and how it responds to shock — to such horrific external stimuli.

 

My prime regret in all of this, apropos of the destruction, is that I had just started a campaign of recording, writing, corresponding and was on the verge of co-ordinating with others in an attempt to halt/redress the works, when I collapsed. Each encounter with the damage led to more distress, more efforts to record what I was witnessing, to write poems that might help as intervention.

 

Around that time I had just done an activist reading for an environmentalist group and was delighted with their engagement, enthusiasm, deep commitment, and their local successes down in the city. I had high hopes of linking with them in this more northern, ‘rural’ protest. And then I stroked and went silent. I wasn’t ‘there’ when I most needed to be, even if I could have done little to stop anything in reality (I am more than aware of my limitations to influence the machinery of development!).

 

I came close to my physical demise, and it’s a long haul back to the way things were before I stroked... if ever that will be the case. As soon as I was basically functional, I started writing again and addressing the issue. I did not, however, belatedly follow up on an earlier reply to me by a senior figure in Main Roads who defended the road works (modern roads stuff) while insisting that other parties were also involved (i.e. Western Power and a gravel pit company). He did, I have to say, mention that he’d be willing to meet and hear what I had to say.

 

That was a strange sort of ‘progress’, and I hoped that it might be the start of a serious conversation which in turn might lead to some kind of cessation of works. This might seem deluded, but all environmental and rights activists have to cling to the hope, the belief, that both individually and collectively they can make a difference. I doubt the Main Roads person ever wondered why they never heard back, but this was the reason.

 

So, I say again, when I started my campaign I realised that it was probably ‘too late’ for any effective prevention other than through a mass physical protest (which I had hoped would eventuate if I got people peacefully motivated), but I have never let that stop me and I never give in. I work through pacifist justice methodologies, and refuse to ever say it’s too late.

 

I am still writing about the issue, of course, but I can’t do anything in person — in situ — and I can’t organise larger campaigns or even contribute at this stage. This ‘compromise’ in my activism has been deeply distressing to me and yet I’ve had to come to grips with it. My disappointment in the lack of any ‘on the ground’ opposition (such as there was over the Roe Highway extension in the Beeliar wetlands) has been challenged by my own inability to act as I would if I could.

 

I would, if I could, be present — holding a protest sign, speaking with people, trying to convince them to down tools, to oppose from within the works themselves. People can’t change what they don’t see, and most of those ‘making a living’ have other more dominant considerations in their lives. I get that. I respect different ways of seeing and we all need to co-exist, but sometimes information that benefits the environment is not transmitted in the most effective way — and by that way, I mean through showing how care for the biosphere is essential to who we all are, and what the future might be. How empathy for all life is also respect for ourselves.

 

Having said all this, I expect no one else to be doing what I consider my protest work — we all have to make our decisions regarding how to act according not only to our consciences but our ‘means’. Protest is not a simple thing — and there have been degrees of this over the years by various groups regarding this road ‘realignment' which have led to less damage than would have been without such behind-the-scenes protest attempts and advocacy for the natural habitat. What it would have been like without such interventions I can hardly imagine. The horror.

 

In order to survive, I've stopped using Toodyay Road — the witnessing (any more than I have) is too much for my health at present. Will I ever use it again? That is always the question — the potential for irony is overwhelming. The damage done, it is too easy to accept the new ‘reality’. All road-making has resulted in damage, most of it extreme, but this ‘project’ was never ‘necessary’ in any way and was a work that, once developed, was never going back. Too many vested interests, I feel. I have written about how wrong I think it is on all levels on this blog prior.

 

Also, displaced wildlife (as I am told by others, aside from personal observations) is so at risk that it is a dynamic I wish to avoid. All roads in the country entail this risk of fatal or injurious encounter with animals — that is part of the general horror of vehicles and the fact we all need to measure our travel in terms of ‘necessity’ or otherwise with regard to the brutal facts of global warming (and, unfortunately, electric vehicles have certain obvious and harsh environmental impacts as well) — but at the moment, on that stretch of destruction, risk of car-animal contact is particularly heightened. Animals killed by road-work machinery, with survivors then wiped out by traffic.

 

None of this is an excuse for ‘failing to act’ — that would be disingenuous given what I’ve been through (as well as my family who have been so supportive) — but it is an explanation for all those who follow this blog and care about the state of the planet, and the well-being of all life on it. To be as physically well as possible is part of my activism — I need to be able to do all I need to do. But whatever the state of my health, I will do what I can for as long as I can, always.

Saturday, August 15, 2026

Reading St John of the Cross's 'Song of the Soul'


Graphology Materialism 45: Mandyooranup

 

‘Su origen no lo sé, pues no le tiene,
            mas sé que todo origen de ella tiene,
            aunque es de noche.’

                        San Juan de la Cuz

 

 

Higher than most local terrain

            and overseeing the river.

 

I might reroute via carapace

            and feather, float on the strong-

            smelling limestone flower.

 

Tradies, working on an avenue’s

            mansions, take in the view

            and process their doubts.

 

Eddies over the river, slicks

            of surface tension, night

            held in by repetition.

 

Each point a renaming of renaming,

            the true name resonating

            as I drift back, floating.

 

Restoration of habitat, telescoped

            crane whose counterweight

            swings out over medusas.

 

What umbrage a god will take

            in my seeing you as the essence

            of matter, adjectival declensions.

 

A flotilla is neither the waterbirds

            gathering or leaves on the water

            as canoe paddles flicker.

 

Where the channel is deepest

            the heavy fish measure

            strokes towards sunset.

 

Always the fast boats cutting the skin

            and dispersing a prism

            with ‘natural’ frosting.

 

Keeping to the eucalypt’s wide shadow

            even when the sun is low,

            steps under the cliffs.

 

This is my prayer, San Juan de la Cruz,

            not far from Carmel with its walls

            and strait view of the street.

 

 

            John Kinsella

 

 

 

 

Friday, August 14, 2026

Writing on Stolen Noongar Boodjar

 Graphology Materialism 42: against the trends of opinion polls

 

Each loss means fewer palindromes

as fresh ‘observations’ stall before

            reaching midway through the sentence,

            collapsing back to where they came from.

 

And though we were closer to the rawness

of that ‘first wave’ of dispossession,

            those striated curves in sandstone,

            we still leave a more damaged land

 

than when we arrived. A loadstone,

the colonial gathers and accrues

            habits of various terrains and skies,

            nuances its modes of dismembering —

 

museums collecting then apologising,

compressing time into different manners

            of presentation. Some ‘artefacts’

            and body parts are returned, others

 

sit in archives waiting to be rescued.

Out of the flower-press an extinction

            shows vivid colours... if only... it might

            have been tapped as a panacea...

 

It seems so brutal laying it all down

without disclaimers, remediation —

            simply underpinning

            with footnotes,

 

reinforcing with bibliographies

            and appendices.

 

 

            John Kinsella

Sunday, July 19, 2026

On the Trauma Caused by Hancock Mining, Gina Rinehart, Pauline Hanson, Colonialism, and the Residues of the White Australia Policy



Graphology Materialism 34: reportage


Public submissions concerning Hancock Iron Ore’s

amended application for the rights to use a helipad

built into the roof of their new headquarters

on Ord Street are open until the end of the month.

 

It’s now proposed that the chopper will track Thomas Street,

edging Kaarta Koomba which the imperial powers

call Kings Park, and that it (according to the applicants)

won’t sound much louder than a kitchen appliance —

 

part of a promo package aiming to get Perth City

counsellors onside. A previous Lord Mayor

‘emceed a private event’ for Gina Rinehart,

far-right poetaster of colonialism and mining.

 

That fact is potentially incidental to the issue

at hand, but an aviation-fuel stench hangs

over the process. At present, the billionaire

is hosting Pauline Hanson at a resort in Sicily,

 

just after the far-right leader spoke to a far-right

British podcaster and lamented the passing

of the White Australia Policy. Contemporary

materialists are at pains to distance

 

philosophical materialism from rampant

consumerist materialist values. They insist

that everything that is relates to the occupation

of space — directly or indirectly. If pitted against

 

religious mysticism, then ‘the material’ must be a ‘radical’

departure. Likely, they don’t understand how certain

mining entrepreneurs in Australia work materialism

through settlerism to suit a consumerist agenda.

 

How they differentiate between spirituality

by identity and creed, the value placed on

God’s relationship to an amenable historiography?

When down in the city, we stay near where the Bell 429

 

helicopter hopes — intends — to land, settle, take off. Those blades

will so easily slaughter words, lines, stanzas from the ecology

of thought, and interrupt patterns of wildlife

just managing to hang on despite the city’s pressure.

 

Oh, and ‘Sturt desert pea’ shades will waver over windows,

themselves chopped by shadow while filtering the sun.

 

 
            John Kinsella

Friday, June 5, 2026

A Poem On Laurie Anderson's 2026 Tiny Desk Concert


Graphology Recovery 14: Laurie Anderson’s May 2026 Tiny Desk Concert

 

Between phrases,

interstices

 

of rejuvenation

& counterpoints

 

to cataclysm.

Fewer streets here.

 

Of differing

commencement

 

inside

this infarct

 

where I’m told

it will always be night

 

but it’s not. Dogs across

this valley collate

 

angles

of voice

 

while roused sheep

offset

 

those risible

clouds

 

adoring room to gather

or dissipate,

 

manoeuvre ordinary

attributes

 

of soar. Glimpse

of a barn owl

 

overflying

late afternoon

 

ahead

of its night.

 

 

            John Kinsella