Showing posts with label music and text. Show all posts
Showing posts with label music and text. Show all posts

Sunday, May 31, 2020

First poem from long ago, in memoriam Mhairi

By Tracy

These poems were not written "in memoriam" but during the course of the friendship, and were published in Hothouse (2002/2006). I never thought to be posting them so long after, and in such circumstances. I just learnt that Mhairi passed away in the UK last month. She was a gifted poet as well as pianist, a film buff, and a savvy winner at all board games.

She was also a fluent speaker and avid reader of French, and a half-dozen of the best French novels I have on my shelf here at Jam Tree Gully were gifts from her, because she loved to give presents.

The first poem takes a line from a beautiful DH Lawrence poem, which ends "in the flood of remembrance, I weep like a child for the past".


Piano

Small walls and the furniture
too large, as in a dolls’ house,
or a Dutch interior
the swollen disproportions
of a dream;

a baby grand and you playing
Bach and Satie
as my grandmother played the Polonaises
and my mother the ‘Moonlight’ Sonata

suddenly the hunger
to pick it up again, dropped stitch,
to let fingers go as they know because
it was trained into me
every morning

or because I was born to it
and let it go, wasted and taken for granted
like water; this our idiom
I’ve abstained from
out of some foolish notion

of imperfection, forgetting the pure pleasure
the insidious mastery of song
that makes the child’s heart beat faster
as I stand there
wordless but listening
with my arms around her
in the chill spring.


                                                   —Tracy Ryan

Sunday, August 13, 2017

Having listened to David McCooey's new album, The Double

On David McCooey's new album, The Double — a poem-response.


having listened

to the echo taking us back into its trust,
tremolo and sustain working the lines
of rooftops, the 'chimneys doing
their slow work', and taut
with continuance, the lava lamp
losing its grip on suburban manners,
left stranded in the restitutions
and deliverances of voice, I watch
an ambient sky with Western gerygones
taking in the east-west transit,
sparking across hindsight
and prospect, held as I am
in the hold of repressed longing
which lights up in a way
we can study slowly,
not the flash they
need turn away
(from) in the Guam horror
scenario. I will send
it out as resistance,
by proxy, hearing
everything drawn in
without the need
for a massive release
of energy — to hold
is to keep the song going
long, long after. Hold.


     John Kinsella


The album can be found here.