This northern spring marks twenty years since John & I first came to Cambridge together (we'd been two years married at that point).
 |
| Photo by Tim Kinsella |
 |
| In the grounds of Churchill College |
Today, back here after Germany, we met the same beautiful spring weather as twenty years ago (though it's due to turn not-so-lovely from tomorrow).
 |
| Churchill daffodils, 2016 |
Daffodils are out everywhere, and in town the Easter crowds have been enjoying the sunshine.
Here's a section from a poem John wrote in Cambridge back in the early days here, in 1996, and published in Fenland Pastorals (Prest Root Press, 1998)... The poem is called "Triptych: Poems from Churchill College, Cambridge".
3. Seed Cases
for Tracy
Dark clouds thicken
overhead
but there's not enough
moisture
in the air to prevent
the cracking
of seed cases: that
crackling
like fire in
undergrowth,
or water exploding on
hot metal.
A partial collusion of
the elements—
only the fifth element
missing,
as if the eponymous
has no part
in the moment. You
hear the seed cases
opening and searching
your memory
for a name, a species,
find nothing.
But it's a familiar
sound—it brings back
Dryandra Forest in the
South-West
of Australia. Even the
hemisphere
is different. The
brain struggles
with location. It's
the moment
of aloneness that's
captured you,
when nameless plants
execute
their cycles. People
are absent.
A robin glows nearby.
You know
its name and it knows
yours. It is wary
and you remain still.
The seed falls
and covers friable earth like snow.
and covers friable earth like snow.
And here's one from my early Cambridge days, again an extract from a longer sequence called "Noli Me Tangere", written at Easter in 1996 and published in The Willing Eye (Fremantle Press & Bloodaxe, 1999 & 2000). (Back then I was still working my way out of the Christian faith in which I had grown up; I now have no belief in formal religion. Doubt was showing in the fuller version of this poem...) Note that the fickle Cambridge weather is in there already! The seasons no longer offering stable metaphors were a reference to the fact that climate change was already very noticeable, back when we had no Google yet and email was brand new to us.
5
Faith blows hot & cold
as Cambridge in spring
where late snow dissipates
before reaching any surface
where nothing penetrates
where those who drank in
yesterday's sun
are caught out now, ill-dressed
for this fickleness,
for this world whose seasons
no longer offer
stable metaphors for
spiritual states.
But then you were never
afraid of change
God of transitions
God of this Easter
constant & steadfast only
in your refusal
to be pinned there.
One of the things John likes about Churchill College is that its chapel is ecumenical (in fact his play "Ecumenical" was performed in that chapel in 2012, directed by Tim Cribb).
And here's a pic of the two of us in the early Cambridge days, in the same flats where we are now and have spent much time over those 20 years. (John used to get a lot more sun in those days, before skin cancers took their toll!)
 |
| Photo by Bettina Keil |
